I didn’t know what to expect when I bought this book, honestly. The cover makes it seem a little cutsey, and some of the pictures seem, in the tradition of craft a la Hobby Lobby, to be more novelty than anything genuinely useful.
Boy was I wrong.
First off, the author is described in the back as (more or less) equal parts artist, survivalist, and caveman. Or, to put it more accurately, stone age technology aficionado. What this should have told me is that the man takes his work seriously, and that his breadth of very real knowledge is to be found in this book. He lives this stuff, he works in these media, and he’s been doing it for years.
Most of what he shows you how to do will not be of any real interest to most folks, though I suspect zero wasters will find some of the projects immensely useful. For instance, his paper-making guide is much more thorough, and results in a much more useful finished product than Bea’s instructions in Zero Waste Home. He shows you how to make crayons out of nothing more than beeswax and pigment; he shows you how to source your pigment from the landscape around you; he shows you how to make felt-tip pens out of little more than sticks, twine, and a bit of hide; he shows you how to make glue; he shows you how to make charcoal.
And the list goes on. Those beautiful little paint pots featured on the cover? Those are all handmade by him as well, and he shows you how to make them too: every step from finding and tempering natural clay, to shaping and firing.
There’s even recipes in here for the zero waste, organic printmaker: he has instructions on how to make an all-natural brayer, and suggests an ink recipe thickened with honey to use with your woodcuts. And for painters, he shows how to make animal hair brush bristles, complete with quill ferrule. (Guides for which are difficult to come by, I’ve found.)
Nick Neddo is a monster. And I mean that in the best possible way: he’s a person who knows his craft so thoroughly that you can’t help but let your jaw drop at the sheer absurdity of his knowledge, talent, and dedication. Included also are examples of his work made with the relevant tool or medium, and these proof of concept are not only astoundingly beautiful, but with no noticeable difference in quality compared to the plastic, commercially-produced equivalent that he is recreating. Most of these tools are so easy to make, so beautiful, and so personal, that in showing us how to make them Neddo almost asks, between the lines, why don’t more people do this? After all, up until very recently in human history (a period that can be measured in mere decades), most artists had to make their own materials.
Do I recommend this book? For artists looking to turn away from high-impact, toxic, and fossil-fueled-sourced tools and media, this is an absolute must-have. For zero wasters or organic households looking to replace a few of their casual art supplies, this is also a must-have. (Just about everything in here isn’t just non-toxic, but free of synthetic ingredients entirely, and probably also safe in the case of accidental ingestion, for those of you with children.)
For everyone else, this book is probably just a novelty – but get it anyway. It might inspire you take up doing even just one thing the Nick Neddo way.